‘Rich Man’s War,’ which comes late in the record’s hour-plus run time, is just one of the many songs that this album has to offer audiences. In doing so, listeners will agree that there is a lot to like here.
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Rather, the album in whole is one of those works that requires listeners to give it their full attention. It is not one of those records that will appeal to audiences expecting short, radio ready singles. From its start to its end, the subtleties in the 64-minute presentation make it such an interesting collection of songs. Scheduled for release Friday through Carry On Music, the 12-song record succeeds because of its unassuming nature, both in regards to its musical and lyrical content. No summer jams here, but rather lovely, introspective folk ballads.Independent rock band Walking Papers’ forthcoming album The Light Below is one of the most welcome surprises in the very young year that is 2021. Cale’s songwriting is solid again, the sound is very similar to Cohen’s or a far less political or upbeat Dylan, but without sounding like an attempt to copy. Released three years after it was recorded, Walking Papers is quietly reflective, subtly poetic and very relate-able, malleable perfect for a pensive dusk drive home. “Dark, chilly folk that’s as beautifully modern as it is solidly rooted in its influences. The closer, “Kicked Awake,” is a truly elegant confessional. There are some ragged moments, especially on the near-spiritual weep of “Eye for an Eye,” and these would no doubt fess up for Cale’s preferred troubadour regale. Walking Papers isn’t stark and bitter, it’s beautifully arranged with light sheets of pedal steel, and on standout “Stowaway,” bowed orchestral lilt. “Somewhere nestled in the mountains where echoes of Dylan and Nick Drake settle through the fog is where Cale gets his inspiration. Cold, chilly folk for dark times.” -Doug Mosurock (Still Single/DUSTED MAGAZINE) The graveness of some of this music might hold Cale back from greater acceptance, but it’s not necessarily the lightest of us that’s going to be remembered on down the line. He’s able to pull it off extraordinarily well, too, at times recalling the Mark Fry LP none of us had heard until recently. Playing solo and with full band accompaniment, this loner/Leonard Cohen acolyte plays an accomplished guitar and writes serious lyrics with poetic depth.
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“Long-delayed second album by Olympia-to-NYC singer-songwriter Zachary Cale, recorded in pro fashion at Bearsville Studios in 2005 the late date of release and the album’s title might give the story away. Listening to this recording is more than highly recommended.” -Gio Venditti (INDIE FOR BUNNIES) “Spare, chilly, indie soundtrack-worthy folk that nods to its influences without attempting to revive them.” -Daoud Tyler-Ameen (WNYC) The ability to hear what is in a song has guided him well in the making of his own.” -John Allen (WFMU) His voice can be delicate for love or wry for satire. “Zachary Cale is a songwriter’s songwriter, as prolific as he is original.
No question, no exaggeration.” -DAVID CORRELL (Sacred Bones) “Hands down one of the best albums of the past 20 years. Evoking the austere finger-style guitar work of Bert Jansch and the poetic couplets of Townes Van Zandt the album exhibits a genuine craft of American tradition the songs are bona fide gems with every note and lyrical phrase informed by a quiet beauty, both familiar and timeless. Recorded by Kevin Mcmahon in the legendary Bearsville Sound Studios in 2005 Walking Papers moves away from the lo-fi intimacy of Cale's first album with bigger production values and accompaniment by an array of musicians. Walking Papers, the sophomore album by Zachary Cale, marks the artist’s leap from a four-track-bedroom-folkie to a songwriter of visionary scope.
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